The rear panel includes buttons to start video recording, adjust the autofocus mode, enable macro focusing, control the flash, and set the self-timer. The EV compensation button does a bit more than you would expect it to it dives into a menu that gives you control over aperture, shutter speed, EV compensation, and ISO sensitivity. On the top plate you'll find the zoom rocker, shutter release, exposure value compensation control, drive mode control, and a mode dial. The control layout and menu system is identical to the to AZ521. (Opens in a new window) Read Our Kodak Pixpro AZ521 Review It covers a very wide angle through an extreme telephoto field of view (below). It's not that far off in size from another 50x superzoom, the 3.4-by-4.8-by-4.8-inch, 1.5-pound Fujifilm SL1000 ($650.00 at Amazon) (Opens in a new window). The camera is 3.5 by 4.7 by 3.8 inches (HWD) in size and weighs a little less than 1.2 pounds.
And there's the EVF, which juts out from behind the flash. The body itself is flat black it's missing some of the shiny steel gray elements that give accent to the AZ521.
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The lens barrel is covered in ribbed rubber, which gives it the appearance-but not functionality-of a manual zoom lens. The AZ522 is almost a clone AZ521 in terms of size and shape, but there are a few cosmetic differences. As part of its successful bankruptcy reorganization the company licensed its brand to Chinese manufacturer JK Imaging: The AZ522, along with the AZ362 ($190.83 at Amazon) (Opens in a new window) and AZ521 are among the first of these new Kodak-branded cameras to hit the US market. The AZ522 is one of the first cameras released with the Kodak brand name since the company announced that it was exiting the digital camera space in early 2012. Since 1982, PCMag has tested and rated thousands of products to help you make better buying decisions. ( See how we test everything we review (Opens in a new window).) It's one of the best examples we've seen of this style of camera, thanks in part to the great image quality that its image sensor and 24x f/2.8 zoom lens produce. And if you can stretch your budget a bit, and live with a more limited zoom ratio, our Editors' Choice Panasonic Lumix DMC-FZ200 ( at Amazon) (Opens in a new window) is worth strong consideration. But at its asking price the AZ522 is a tough sell there are better superzooms to be had for not that much more money. The AZ522 adds $50 to the price tag, and for that money you get an electronic viewfinder, and in the case of our review unit, a little more image quality. Like the AZ521 ($349.99 at Amazon) (Opens in a new window) it packs a 52x zoom lens, a 16-megapixel CMOS image sensor, and feels very solid in the hand. The Kodak Pixpro AZ522 ($349 list) is the most refined camera in the Astro Zoom line, but it's also the most expensive.
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